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Photographer with Kremlin media ties disqualified from German photography prize after backlash

2 min read
Photographer with Kremlin media ties disqualified from German photography prize after backlash
Valery Melnikov, a Russian photographer with ties to Kremlin-backed media, has been shortlisted for one of Germany's leading photography awards for his series on occupied Mariupol in a screengrab from an interview published on Jul 27, 2017. (Screengrab/YouTube/World Press Photo)

A photo series about Russian-occupied Mariupol that was originally shortlisted for the prestigious Leica Oskar Barnack Award has been disqualified after Ukrainian media covered the photographer's work for Kremlin-linked media.

Photographer Valery Melnikov lashed out at the decision on his Instagram on Aug. 10, declaring that "an artist does not owe anyone proof or justification."

"I have been documenting the situation in Mariupol and the surrounding region since 2022. ⠀ This is my long-term personal project," he claimed.

Melnikov has previously said that his photography is focused on documenting the suffering of civilians. Yet much of his work has aligned with, and at times reinforced, the narratives promoted by the Kremlin-backed media outlets for which he has worked.

His biography on the World Press Photo's website indicates that he has worked for Rossiya Segodnya (Russia Today), a Russian state-owned news agency, since 2009. However, Melnikov's Aug. 10 post appears to indicate that he no longer works for RIA Novosti.

Rossiya Segodnya oversees several major media brands within Russia, including RIA Novosti and Sputnik.

In 2023, the state-run Victory Museum in Moscow held an exhibition of his work from the occupied territories. According to the state-run museum,  Melnikov's works tell the "poignant stories" of families being "reunited" after Russia's "liberation" of Ukraine's Donetsk and Luhansk oblasts.

Article image
A Russian soldier in the Mariupol Drama Theatre, bombed by Russian forces on March 16, in Russia-occupied Mariupol, Ukraine, on April 12, 2022, in this photo taken during a trip organized by the Russian military. (Alexander Nemenov / AFP / Getty Images)

Given the extensive surveillance imposed by Russian authorities in occupied Ukrainian territories, it is highly unlikely that Melnikov could have worked in Mariupol without the knowledge — and approval — of the occupation authorities.

Media outlet PetaPixel reported on Aug. 11 that Leica had said that Melnikov's photo series could no longer remain on the shortlist for the Oskar Barnack Award "following a legal and compliance review."

According to Melnikov's Instagram post, representatives of the award brought up their concerns over him being a "Kremlin-media-linked photographer," which is a term used to refer to him in the title of the Kyiv Independent's article about his work.

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Kate Tsurkan

Culture Reporter

Kate Tsurkan is a reporter at the Kyiv Independent who writes mostly about culture-related topics. Her newsletter Explaining Ukraine with Kate Tsurkan, which focuses specifically on Ukrainian culture, is published weekly by the Kyiv Independent and is partially supported by a generous grant from the Nadia Sophie Seiler Fund. Kate co-translated Oleh Sentsov’s “Diary of a Hunger Striker,” Myroslav Laiuk’s “Bakhmut,” Andriy Lyubka’s “War from the Rear,” and Khrystia Vengryniuk’s “Long Eyes,” among other books. Some of her previous writing and translations have appeared in the New Yorker, Vanity Fair, Harpers, the Washington Post, the New York Times, the Los Angeles Review of Books, and elsewhere. She is the co-founder of Apofenie Magazine and, in addition to Ukrainian and Russian, also knows French.

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