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Kate Tsurkan photo

Kate Tsurkan

Culture Reporter

Kate Tsurkan is a reporter at the Kyiv Independent who writes mostly about culture-related topics. Her newsletter Explaining Ukraine with Kate Tsurkan, which focuses specifically on Ukrainian culture, is published weekly by the Kyiv Independent and is partially supported by a generous grant from the Nadia Sophie Seiler Fund. Kate co-translated Oleh Sentsov’s “Diary of a Hunger Striker,” Myroslav Laiuk’s “Bakhmut,” Andriy Lyubka’s “War from the Rear,” and Khrystia Vengryniuk’s “Long Eyes,” among other books. Some of her previous writing and translations have appeared in the New Yorker, Vanity Fair, Harpers, the Washington Post, the New York Times, the Los Angeles Review of Books, and elsewhere. She is the co-founder of Apofenie Magazine and, in addition to Ukrainian and Russian, also knows French.

For media & speaking inquiries:
press@kyivindependent.com

Articles

How a dissident poet became Ukraine’s moral compass

by Kate Tsurkan
Editor's Note: This story is part of the "Hidden Canon"  – a special series celebrating Ukrainian classic literature and aiming to bring it to a wider international audience. The series is supported by the Ukrainian Institute. One Christmas Eve night, in a prison camp in the Russian republic of Mordovia, Ukrainian female political prisoners braved the cold to gather near the barbed wire that separated them from the men to sing carols. They gathered there for the poet Vasyl Stus, who had been g
Light installation is projected onto the Mother Ukraine Monument in Kyiv on August 20, 2026.

Can this $77 million state initiative bolster Ukraine's cultural sphere?

by Kate Tsurkan
With Ukraine's cultural heritage threatened by Russia's all-out war of annihilation, Kyiv is ramping up its efforts to support Ukrainian artists at the state level. "Tysiachovesna," or "1,000 Springs," is a project originally proposed by President Volodymyr Zelensky in the fall of 2025 to use Hr 4 billion ($76.7 million) of the state budget to support the creation of 1,000 hours of Ukrainian-language content. The Culture Ministry formally launched the initiative earlier this spring, encouragin

Inside the 'Pavilion of (Dis)sense,' a fight against Russia's weaponization of culture

by Kate Tsurkan
In the lead-up to the Venice Art Biennale, posters for imagined cultural events began appearing throughout the city, each one carrying the disclaimer: "Canceled because the artist was killed by Russia." Conceived by exiled Russian artist Katia Margolis and curated by the Network Associazioni per Ucraina, the "Invisible Pavilion" was one of the most subtle yet striking protests against Russia's return to the Venice Art Biennale. Now featured in the "Pavilion of (Dis)sense" — an exhibition curat